![]() So it's just a different time in their total story.”Ī different time in their story, indeed. As we meet them, they're not yet organized into armies, they're a little more scattered and they've been scavenging. ![]() “It felt appropriate that their look would be different, part of a wilder, more raw, Second Age, Middle-earth, closer to where the First Age ends. “We spent a lot of time talking about what it would mean to be an Orc in the Second Age,” said Weber. It was really important to them to treat them as their own culture and explore their world on its own two legs in its own right.”īecause this is a wildly different age for the Orcs, with the timing being much earlier than the Orcs we’ve seen on screen up to this point and their numbers being so diminished, it was important that they look and feel different from the creatures we already knew. They have a real passion for them, they love practical prosthetics and design, and they felt that they needed exploration given that this is the Second Age and thousands of years before the events of the Third Age. JD and Patrick - the showrunners - the very first page of their bible was about Orcs. “I love creature design, so I'm very happy to talk about this stuff. He knows his Orcs.) Perhaps most importantly, Jamie, Lindsey, and the entire The Rings of Power team care about these creatures a great deal. ![]() Both come from lovingly nerdy backgrounds, with Weber working in the Star Trek and Mission: Impossible franchises and Wilson joining the project as what they call a “Sevener.” (It means this dude has been on every single live-action Lord of the Rings project. Wanting to get a better idea of what’s in store when The Lord of the Rings: The Rings of Power comes to Prime Video in September, we sat down with Jamie Wilson, head of The Rings of Power’s prosthetic department, and Lindsey Weber, executive producer on the series. ![]()
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